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<\/figure>\n\n\n\nDe Larrocha made numerous recordings of the solo piano repertoire and in particular the works of composers of her native Spain. She is best known for her recordings of the music of Manuel de Falla, Enrique Granados, Federico Mompou, and Isaac Alb\u00e9niz, as well as her 1967 recordings of Antonio Soler”s keyboard sonatas. She recorded for Hispavox, CBS\/Columbia\/Epic, BMG\/RCA and London\/Decca, winning her first Grammy Award in 1975 and her last one in 1992, at the age of almost seventy. She received the Prince of Asturias Award for the Arts in 1994.[2]<\/p>\n\n\n\n
Other albums I bought lately<\/p>\n\n\n\n
Hommages – Gavin Bryars<\/p>\n\n\n\n
Das Lied von der Erde, Mahler<\/p>\n\n\n\n
The Early Years Vol. 2, Tom Waits<\/p>\n\n\n\n
Georg Philipp Telemann: Ino \/ Johann Rosenm\u00fcller: Studenten-Music \/ Sonate da camera No. 9 (Koch)<\/p>\n\n\n\n
Helmut Koch<\/p>\n\n\n\n
Mahler, G.: Das Klagende Lied<\/p>\n\n\n\n
Josquin des Prez: Missa Ave maris stella<\/p>\n\n\n\n
Chant – Music For The Soul (US Version) – The Cistercian Monks of Stift Heiligenkreuz<\/p>\n\n\n\n
Francis Poulenc, Secular Choral Music, Musique chorale s\u00e9culi\u00e8re \u00a0<\/p>\n\n\n\n
Netherlands Chamber Choir<\/p>\n\n\n\n
\u00a0Heartattack And Vine \u00a0– Tom Waits<\/p>\n\n\n\n
Quartet in F, Op. 135\/Allegretto (1990 Remastered) \u00a0– Guarneri Quartet<\/p>\n\n\n\n
Gavin Bryars: New York \u00a0<\/p>\n\n\n\n
L’Ensemble de Basse-Normandie, Les Percussions Claviers de Lyon, Dominique Debart Gavin Bryars<\/p>\n\n\n\n
Oi Me Lasso – Anna Maria Friman, John Potter Gavin Bryars<\/p>\n\n\n\n
Brahms Variations On A Theme Of Haydn Opus 56a<\/p>\n\n\n\n
Concertgebouw Orchestra of Amsterdam<\/p>\n\n\n\n
Josquin des Prez: Missa Ave maris stella<\/p>\n\n\n\n
Albeniz: Iberia (Les indispensables de Diapason) – Alicia De Larrocha<\/p>\n\n\n\n
Charles Ives: An American Journey Charles Ives: An American Journey<\/p>\n\n\n\n
Smetana<\/p>\n\n\n\n
Ahn Trio Tata Bojs<\/p>\n\n\n\n
The Early Years Vol. 1 \u00a0– Tom Waits<\/p>\n\n\n\n
Luna – Claudia Acuna<\/p>\n\n\n\n
My Favorite Things \u00a0– John Coltrane<\/p>\n\n\n\n
Beethoven late string quartets<\/p>\n\n\n\n
The following set of string quartets is generally referred to as Beethoven”s Late String Quartets, including the Gro\u00dfe Fuge (which also exists in a piano transcription, opus 134):<\/p>\n\n\n\n
Opus 127: String Quartet No. 12 in E flat major (1825)<\/p>\n\n\n\n
Opus 130: String Quartet No. 13 in B flat major (1825)<\/p>\n\n\n\n
Opus 131: String Quartet No. 14 in C sharp minor (1826)<\/p>\n\n\n\n
Opus 132: String Quartet No. 15 in A minor (1825)<\/p>\n\n\n\n
Opus 133: Gro\u00dfe Fuge in B-flat major for string quartet (1826), originally the finale to Op. 130<\/p>\n\n\n\n
Opus 135: String Quartet No. 16 in F major (1826)<\/p>\n\n\n\n
These six quartets (counting the Gro\u00dfe Fuge) comprise Beethoven”s last major, completed compositions. Although they were dismissed by the musicians and audiences of Beethoven”s time, they are widely considered to be among the greatest musical compositions of all time. The Late String Quartets inspired many composers and musicians. Igor Stravinsky described the Gro\u00dfe Fuge as “an absolutely contemporary piece of music that will be contemporary forever”. Richard Wagner, when reflecting on Op. 131”s first movement, said that it “reveals the most melancholy sentiment expressed in music”. The quartets have been performed and recorded by string quartets worldwide.<\/p>\n","protected":false},"excerpt":{"rendered":"
CDs or MP3 downloads that were records I had Georg Philipp Telemann: Ino \/ Johann Rosenm\u00fcller: Studenten-Music \/ Sonate da camera No. 9 (Koch) Helmut Koch (Student Music from 17th Century Leipzig) Brahms – \u00a0Academic<\/p>\n